Goodbye. I'm leaving because I'm bored.

Some of Buddhist texts say that, in the moment after you die, you think of New Jersey and you go to New Jersey or you think of 1820 and you go to 1820. Also, all your sort of inner-symbology gets writ large. So, if you're a Christian, you see Christian iconography.

I don't like that new age posture where you kind of tilt your head. I don't like that posture right now. I want something a little more confident and more sure of the values that we're defending, which are the old ones, love and empathy and patience and tolerance and civility. Not to get into politics or anything.

More and more these days what I find myself doing in my stories is making a representation of goodness and a representation of evil and then having those two run at each other full-speed, like a couple of PeeWee football players, to see what happens. Who stays standing? Whose helmet goes flying off?

I think the trick of being a writer is to basically put your cards out there all the time and be willing to be as in the dark about what happens next as your reader would be at that time.

When I wrote that [Donald] Trump piece, I had this uncomfortable experience of sensing a lot of things that were nascent, that I couldn't quite articulate. And one of them was this move toward anti-intellectualism. An anti-love move, even.

It really strikes me how much of your energy in America, especially if you're from a working back-ground, is spent just keeping your head above water. It really saps your grace and your strength.