As Flannery O'Connor says, a person can choose what she writes but she can't choose what she makes live. Some people are really acoustic writers and so for them the secret revision is sound. Other people may revise in terms of the way a paragraph feels. There's a million ways to do it.

We have that illusion that we are 'deciding' what to make a character do, in order to 'convey our message' or something like that. But, at least in my experience, you are often more like a river-rafting guide who's been paid a bonus to purposely steer your clients into the roughest possible water.

I know what it feels like to be in that middle and lower-middle class, and feel like the culture is passing you by; it translates into a great sense of personal frustration that can then morph into political frustration.

Fiction is open to whoever comes in the door, as long as you come in energetically.

Don't be afraid to be confused. Try to remain permanently confused. Anything is possible.

It's funny with fiction - once you cut something, it hasn't happened anymore.

Do all the other things, the ambitious things - travel, get rich, get famous, innovate, lead, fall in love, make and lose fortunes...but as you do, to the extent that you can, err in the direction of kindness.