From the beginning [of the Lincoln in the Bardo], I actually had it in mind not to write a novel. I'd kind of gotten past that point where I felt bad for never having written a novel, even to where I felt really good about it, like I was a real purist.

What was fun for me with this book [Lincoln in the Bardo] was to start out with the principle that went, "We're going to fight every day to make this not a novel; make it too short to be a novel." And then with that principle in place, the book sort of starts to say, "Okay, but I really need this. I really need some historical nuggets." And you're like, "All right, but keep it under control."

Certainly we're always rooting for our particular contingent moment to be a great one. Pain-free. But the more expansive vision has to include the idea that, even for us, sometimes our particular contingent moment is going to be horrific.

Whenever you talk about writing I think you have to remember that it all has a big question mark over it - every word has a big question mark over it.

Based on the experience of my life, which I have not exactly hit out of the park, I tend to agree with that thing about, If it's not broke, don't fix it. And would go even further to: Even if it is broke, leave it alone, you'll probably make it worse.

The best thing that ever happened to me is that nothing happened in writing. I ended up working for engineering companies, and that's where I found my material, in the everyday struggle between capitalism and grace. Being broke and tired, you don't come home your best self.

I think it is time for a new pride in the intellectual life, and a new impatience with people who take pride in ignorance, or somehow use "elite" to mean "person who has taken the time to know" and then are eager to dismiss, say, striving, or the notion that improving one's self out of difficult conditions is a noble thing.