Down in the city are the nice houses and the so-so houses and the lovers making out in dark yards and the babies crying for their moms, and I wonder if, other than Jesus, has this ever happened before. Maybe it happens all the time. Maybe there's angry dead all over, hiding in rooms, covered with blankets, bossing around their scared, embarrassed relatives. Because how would we know?
George SaundersStories, as much as we like to talk about them, retrospectively, as emanations of theme or worldview or intention, occur primarily as technical objects when they're being written. Or at least they do for me. They're the result of thousands of decisions made at speed during revision.
George SaundersIn the reason that the contrast between the absolute and the relative is so terrible is because we believe so fully in ourselves as permanent, continuous, and central. I feel insane saying this, but if one weren't so deluded about the permanent reality of the self, a lot of this pain would actually lessen.
George SaundersI think something that I can't name about our media has made us move away from that kind of specificity and that kind of curiosity.
George SaundersThat for me was the big turning point in my artistic life, when my wife and I had our kids. The world got infused with morality again. Every person in the world should theoretically be loved as much as I love my daughters.
George SaundersThe weird thing was that I went to Trump rallies thinking I was going to run into militant, right wing, racist people and mostly I didn't. That should have been a clue to me. The people I talked to were not, on the surface level, crazy. They were quite nice, quite normal, employed, and actually were wealthier than the press at that time would have led us to believe. At that time, the narrative was that these were all working poor but these were not working poor. That should've been a clue to me that this was a little bigger than I thought.
George Saunders