Suddenly absurdism wasnโt an intellectual abstraction, it was actually realism. You could see the way that wealth was begetting wealth, wealth was begetting comfort โ and that the cumulative effect of an absence of wealth was the erosion of grace.
George SaundersWhole swaths of the book [Lincoln in the Bardo] are made up of verbatim quotes from various historical sources, which I cut up and rearranged to form part of the narrative.
George SaundersIn my work, and in my psyche, there's some very sentimental, traditional, conventional side that's always in argument with a more radical, sarcastic side. Some of my stories are really sentimental, but they're layered over with weird, satirical stuff.
George SaundersA writer writes what interests him and what he can manage, and what he can make live, as Flannery O'Connor said. So my reaction to someone saying "You must!" or "You should!" or even "Hey, why don't you?" is basically to sort of shrug and politely walk off and do whatever I want to do. It's nobody else's business, really, and even if I happened to agree with one of those "musts" or "shoulds" what would I do about it, if my heart wasn't in it?
George SaundersA sort of fearlessness - the notion that a person could be comfortable with (even interested in) whatever arises. I sure can't do it, but I think all of us have had little glimpse of that power, often when we are really actively loving someone or something and feel that little eradication of self that happens when we are engaged in feeling protective or especially fond of someone else. I associate that feeling with a corresponding clarity of purpose and a disappearance of confusion.
George Saunders