From across the woods, as if by common accord, birds left their trees and darted upward. I joined them, flew amount them, they did not recognize me as something apart from them, and I was happy, so happy, because for the first time in years, and forevermore, I had not killed, and never would.

If you're going to make an emotional connection with somebody, whether it's in the story or in the world, there's a certain amount of self-acceptance that is required.

When you read a short story, you come out a little more aware and a little more in love with the world around you. What I want is to have the reader come out just 6 percent more awake to the world.

It's a little like packing for a trip. First you lay out everything that might possibly be useful, with no thought about the size of your suitcase. Then, look at your suitcase. In the case of narrative, there's a certain obligation to keep the pace up and have each section or subsection be doing something.

While writing this book [Lincoln in the Bardo], [idea of inclusion] occurred to me, you either believe in the Constitution or you don't. If you do, it's intense in what it wants of us.

I think when you see [Donald] Trump in person, my reaction is you kind of enjoy it. It's kind of an enjoyable night out.

Whatever your supposed politics are - left, right - if you put it in a human connection, most people will rise to the occasion and feel the human pain in a way that they might not if it was presented in a more conceptual way.