If death is in the room, it's pretty interesting. But I would also say that I'm interested in getting myself to believe that it's going to happen to me. I'm interested in it, because if you're not, you're nuts. It's really de facto what we're here to find out about.

I have been married to my wife, Paula, for 25 years. We have wonderful kids. Things are - it's been a really rich life, so I started thinking, is there a way to get valence a little more into the stories, the idea that, yes, things can go wrong, but also they can go right.

Based on the experience of my life, which I have not exactly hit out of the park, I tend to agree with that thing about, If it's not broke, don't fix it. And would go even further to: Even if it is broke, leave it alone, you'll probably make it worse.

For me, the game would be to assume a very intelligent reader who can extrapolate a lot from a little. And that's become my definition of art; to get that pitch just right, where I can put a hint on page three, and the reader's ears go up a bit, as opposed to dropping it all on the first page.

We're in the transition between birth and death. But the one that people often know about is the transition between the moment of death and whatever comes next, so reincarnation or heaven or hell.

As a writer I'm essentially just trying to impersonate a first-time reader, who picks up the story and has to decide, at every point, whether to keep going.

I've noticed that nowadays I'm doing a lot of stuff on the phone and on the computer, which I usually wouldn't do earlier. And I can feel my brain being rewired: I'm getting anxious, I'm getting more manic. Now, I'm an extreme case because I'm old and I'm overdoing it. But still, it's really interesting that I can actually feel a change in my neurochemistry from this interaction with the technology.