Every writer has to find the thing to keep her eye on about which she has strong opinions. That's of course deeply personal, but the nice thing is that it has to do with joy rather than fear. It has to do with you. If you're funny, your method will be to try to be funnier. Which again is empowering I think.

An artist's job is to be interested in things as they are.

If I'm writing a story and you're reading it, or vice versa, you took time out of your day to pick up my book. I think the one thing that will kill that relationship is if you feel me condescending to you in the process.

[Reading Swing Time] made me a feel a little bit like when I used to read David [Foster] Wallace. Like, "I can't play that game. I wish I could, but I can't do it."

I don't tend to work directly from life, except in trying to mimic or match the outlines of its insanity. In other words, when I live through something, I just try to say to myself, "OK, remember this - life is really this crazy or scary or beautiful or surprising - so try to 'get at' that in your stories.

When I think about what fiction does morally, I'm happier thinking of a person full of multiplicities - sort of fragmented.

The demographics are changing - and so what? Citizenship is a question of certain agreed-upon values and that is that. Do we believe that? I think at heart we do.