Every writer has to find the thing to keep her eye on about which she has strong opinions. That's of course deeply personal, but the nice thing is that it has to do with joy rather than fear. It has to do with you. If you're funny, your method will be to try to be funnier. Which again is empowering I think.
George SaundersThere's also a way that you have of being precise but also allusive, that works well for me - it's something about the open-hearted way you frame your queries. Instead of feeling daunted or discouraged, I feel excited to give whatever it is a try. This takes a lot of editorial wisdom and confidence - to know just how to get the writer to take that extra chance.
George SaundersFrom the beginning [of the Lincoln in the Bardo], I actually had it in mind not to write a novel. I'd kind of gotten past that point where I felt bad for never having written a novel, even to where I felt really good about it, like I was a real purist.
George SaundersIf you think of a work of fiction as a kind of scale model of the world, then the positive valences - where things turn out better than you thought they would - ought to be in there somewhere, too.
George SaundersIt is very easy for us to go, you know, "I am being cruel to be kind," when really we are just ... being cruel. Because it makes us feel big, or whatever.
George SaundersThe writer, in order to proceed, is theoretically trying to predict where his complex skein of language and image has left his reader, who he has likely never met and who is actually thousands of readers.
George SaundersI haven't written a novel or something that long, because I really am improvising all along and the story is growing new limbs to do what it needs to do. So there's very little planning. There's a little planning where I say, "Well, it looks like I'm going in this direction, ok, good." But there's very little forethought or intellectual justification: "Oh, look, I'm putting in a theme park because that represents dystopian America!"
George Saunders