There comes that phase in life when, tired of losing, you decide to stop losing, then continue losing. Then you decide to really stop losing, and continue losing. The losing goes on and on so long you begin to watch with curiosity, wondering how low you can go.

I watched a documentary about the immigrant crisis around the world. And it does make me blush at all the times I've stood up on the stage and given your speech about the healing power of fiction.

That's what a story must feel like to me. It's not, "I want to write about a gravedigger." But you're walking along and - boop! shovel. "Ok, what does one do with a shovel? Digs a hole. Why? I don't know yet. Dig the hole! Oh, look a body."

When you read a short story, you come out a little more aware and a little more in love with the world around you. What I want is to have the reader come out just 6 percent more awake to the world.

I feel nervous because I revere [Zadie Smith] so much. I don't want to be stupid. If I say something stupid, just interrupt me.

The cool parts - the parts that have won Dubai its reputation as 'the Vegas of the Middle East' or 'the Venice of the Middle East' or 'the Disney World of the Middle East, if Disney World were the size of San Francisco and out in a desert' - have been built in the last ten years.

When you're embarking on a piece of writing, the anxiety is just too much, especially when you're young and you're trying to figure out if this is your thing or not. You feel like, "if I don't write a good story, I gotta get going to law school!"