All storytelling is kind of that - there's a bit of text that you put pressure on that spits out some desire that a character has and then you follow that. The other part is that every scene raises an expectation in the reader's mind - that's part of its job is to make you look in and be curious.
George SaundersI don't know how you feel, but I feel like writing, clarity of thought, and truth have been validated because we see what happens when we get lax in those areas. I'm excited by the idea that writers like us can actually reach out and try to understand and prod and agitate the people who are in support of Trump because we have the tools to do it. We're language people and we're idea people.
George SaundersYou didn't plan to write a story; it just happened. Well, it could be argued that the next thing you should do is find a hole to dig. Right? So you start digging a hole and then somebody brings a body along and puts it in. That's what a story must feel like to me. It's not that you say, "I want to write a story about a gravedigger." But you're walking along and "I don't know what I'm doing here in this story,' and - boop! a shovel. "Oh, interesting. Ok, what does one do with a shovel? Digs a hole. Why? I don't know yet. Dig the hole! Oh, look a body."
George SaundersAs a writer I'm essentially just trying to impersonate a first-time reader, who picks up the story and has to decide, at every point, whether to keep going.
George SaundersI am always considering the reader. Although this is admittedly kind of odd: Which reader? On what day? In what mood? For me, that "reader" is actually just me, if I had never read the story before.
George Saunders