I might take from the current political chaos a desire to somehow reflect its essential qualities in a story - the blatant lies that get accepted with repetition; the way mass media seems to be agitating people en masse; the way, particularly, that a relatively lucky and affluent and privileged population can be undone by a certain spoiled quality; that feeling when two decent people violently disagree, because they are arguing from two non-intersecting data sets - well, the list goes on.
George SaundersI really wanted to be allowed to the [writer's] table. So it makes me happy to be at the table. It sounds a little shallow, but if I imagine the shadow life, where I didn't get that chance, and all the ways my negative inclinations would have bloomed if I hadn't gotten the attention, but also the creative outlet ... I'm not actually that happy. I have multiplicities. My happiness blooms and it wilts.
George SaundersMy stories, I can understand them as a little toy that you wind up and you put it on the floor and it just goes under the coach. That I get. Beyond that, I'm a little lost.
George SaundersWhat America is, to me, is a guy doesn't want to buy, you let him not buy, you respect his not buying. A guy has a crazy notion different from your crazy notion, you pat him on the back and say, Hey pal, nice crazy notion, let's go have a beer. America, to me, should be shouting all the time, a bunch of shouting voices, most of them wrong, some of them nuts, but please, not just one droning glamorous reasonable voice.
George SaundersI'm not sure I would call it agony but there is a kind of cyclic frustration. You get one story right and then here comes another one. When does that end? What I'm trying to do is get it to end right now, by recognizing that that cycle is writing. That is: trying to understand the frustrations and setbacks (and agony) as part of a bigger chess game you are playing with art itself.
George Saunders