There might be a different model for a literary community that's quicker, more real-time, and involves more spontaneity.

My general approach to writing fiction is that you try to have as few conceptual notions as possible and you just respond to the energy that the story is making rather than having a big over plan. I think if you have a big over plan, the danger is that you might just take your plan and then you bore everybody. I always joke that it's like going on a date with index cards. You know, at 7:30 p.m. I should ask about her mother. You keep all the control to yourself but you are kind of insulting to the other person.

I know this will sound naïve, but I often wonder what America would be like if our national ethos was simply to minimize suffering. Period. To try, every day, to convert our wonderful wealth and national energy into the cessation of suffering wherever we find it. Imagine if that was our national mindset. Well, we can-we must-dream.

A John Updike is a once-in-a-generation phenomenon, if that generation is lucky: so comfortable in so many genres, the same lively, generous intelligence suffusing all he did.

Nothing will turn you into a Civil War buff like five years of reading. Some of the letters that people wrote from that time are so deep and so beautifully articulate. And you realize, especially with the stuff that's going on now in America, that it's always been chaos - people were disagreeing at least as much as they are now and 20,000 people would die in a day. It's the scale that's amazing, and also the proximity to our own time.

I knew if I evoked that stuff too easily or gratuitously, as a way of assuaging my fears of not being edgy or whatever, the writing would fall apart. This book [Lincoln in the Bardo] was going to have to have some earnestness in it.

There were several points where I would kind of turn to the book and say, "Get thee behind me." I don't think real novelists do that. But I make a distinction between prose that's very efficiency-minded (like, the minimum I can get away with), versus loosening the screws and letting the words spill out beautifully and so on.