People who've written about Abraham Lincoln's writing emphasize how logical he was. His writing was a syllogistic tool. He would say, if A, then B, and he would reason through it. His late writing especially is so tight and so beautifully reasoned.
George SaundersI had to go in and do the work of toning [invented "historical" bits] down in order to make them fit [in Lincoln in the Bardo]. It's like if you're an actor and you're always overacting, well, you're a bad actor. But if you're an actor who subdues yourself to the extent that's necessary, then you're really acting.
George SaundersThat underscored this idea that when we're reading a book or writing a book, you're in an act of co-creation. The reader and the writer are both trying to dress up and present their best selves and then there's that moment, when suddenly, as a reader, you're not exactly you anymore, and likewise, as a writer, you're not really you.
George SaundersI find that the great artists I've met are people who are so playfully invested in their process that, even if it doesn't come out the way they like, they still power through and even take energy from it.
George SaundersFrom the perspective of someone with two grown and wonderful kids, that your instincts as parents are correct: a minute spent reading to your kids now will repay itself a million-fold later, not only because they love you for reading to them, but also because, years later, when theyโre gone and miles away, those quiet evenings, when you were tucked in with them, everything quiet but the sound of the page-turns, will, seem to you, I promise...... sacred.
George Saunders