I always find stuff in my characters to relate to.

Funnily enough, when I originally went in for my screen test, that set was already built.

I love to do films of all shapes and sizes and feelings and genres. So for me to go from Tomb Raider straight into Dear Frankie, there's nothing that excites me more than to keep mixing it up.

Sometimes along the way in my life I don't want a smart woman right now, I want a dumb woman. But then you think, that doesn't work, now I want a smart woman. Then you get a smart woman and you go no, that doesn't work so it's just killing me right now.

So many actors get caught up in their technique, and to be honest, I see it really getting in the way. I see them forcing things. I definitely do my best work when I'm free of that. But I think as an actor, I work really hard in preparing the roles. I spend like 90 percent of my waking moments walking around thinking: "What does this character do? What is his relationship with so-and-so?" Always, really. Too much!

I went from somebody who didn't sing to somebody who didn't speak.

The Phantom, as well as being backed up by that music, it just so was a role that I identified with so powerfully. From the first second that I walked on to perform.