I have a level of fear going into every project, and that's what keeps me going.

Sometimes along the way in my life I don't want a smart woman right now, I want a dumb woman. But then you think, that doesn't work, now I want a smart woman. Then you get a smart woman and you go no, that doesn't work so it's just killing me right now.

The Scots will do anything to beat the English or just to see them lose, but I've never bought into that really.

You know that every bead of sweat falling off your head, every weight you've pumped - the history of that is all in your eyes.

I had to go and sing with the musical director of the film, Simon Lee, who is just incredible, and it went great. I sang with him about five things, things we'd worked on. And then I went to sing for Andrew Lloyd Weber.

I started singing for The Phantom in January, and we started filming in October and I sang all the way through to the next June. In fact, I was singing for about two months before I even knew I had the role.

[How to train your dragon] is beautiful to look at and, again, those values that it contains about relationships, friendships, and bonding in the face of ignorance.