[How to train your dragon] is beautiful to look at and, again, those values that it contains about relationships, friendships, and bonding in the face of ignorance.

Up in the north of Scotland, a lot of the villages are completely Viking names. A lot of Vikings came down and settled in Scotland and in Ireland. And a lot of them didn't, but they took plenty of us with them - mostly the chicks.

I appreciate and love women for many reasons, tall and small, plump and skinny, and crazy and demure. I see beauty in all of them.

I had to prove myself to a lot of different people.

When I'm making a movie, it's making use of my creative juices, and it fills me up with what really is - I think my purpose here is to tell stories. When I'm not, then I really have to learn how to live life and make use of the time properly. I'm not always great at making those decisions, but when it comes to working, my time is totally taken up. I have no option except to get up early in the morning and to work on that movie and to finish. But I take that with a pinch of salt, because I also love my time off.

I mean, I made The Phantom, although The Phantom was, believe it or not, an independent film. It was just a very large, expensive independent film.

I know I have within myself... a side of solitude. I think people who know me can see, but people who just meet me can't because I'm generally very fun and gregarious. I love to spend a lot of time on my own. I can seriously go into my own head and often love to let myself travel where I don't know where I'm going. I always felt that that was his kind of form of escape, in a way.