I appreciate and love women for many reasons, tall and small, plump and skinny, and crazy and demure. I see beauty in all of them.

I had to go and sing with the musical director of the film, Simon Lee, who is just incredible, and it went great. I sang with him about five things, things we'd worked on. And then I went to sing for Andrew Lloyd Weber.

Iceland is 50 percent Celtic blood, from the females that they stole from us, which is why our country has only got dogs left. It was a joke! I'll never be let back in Scotland again!

I started singing for The Phantom in January, and we started filming in October and I sang all the way through to the next June. In fact, I was singing for about two months before I even knew I had the role.

When I start a movie, I already feel like I'm in it. I'm not a jobbing actor anymore; most of the films I do, I'm involved with development. Some, I've taken from scratch, and worked so heavily on the script, I'm embodying a lot of the character by the time I even get close to filming, because I've asked so many of the questions that I do. There is nothing better than being able to ask all the questions, do all the work. It's when you let it go that you fly.

Of course when you spend four hours in prosthetic makeup and you really are looking at yourself and you see how revolting you've become in a way, it obviously adds another strand and helps you... a little bit more.

I went from somebody who didn't sing to somebody who didn't speak.