I started singing for The Phantom in January, and we started filming in October and I sang all the way through to the next June. In fact, I was singing for about two months before I even knew I had the role.

Up in the north of Scotland, a lot of the villages are completely Viking names. A lot of Vikings came down and settled in Scotland and in Ireland. And a lot of them didn't, but they took plenty of us with them - mostly the chicks.

I was born in Glasgow. But my family is pretty much from a little town called Paisley, famous for its cotton mills and paisley pattern.

I always find stuff in my characters to relate to.

I think I get laid less now than I used to, because I’m way more paranoid now.

One thing I've learned as an actor as well as a producer is to trust my own instinct. When I first started acting I would sometimes have ideas about certain things, whether it's a scene, or a character or certain dialogue, that wouldn't be followed. I was never in a position to have the power to press the matter. Sometimes it wasn't even about my character. But I'd watch the movie afterwards and think I was right.

When I start a movie, I already feel like I'm in it. I'm not a jobbing actor anymore; most of the films I do, I'm involved with development. Some, I've taken from scratch, and worked so heavily on the script, I'm embodying a lot of the character by the time I even get close to filming, because I've asked so many of the questions that I do. There is nothing better than being able to ask all the questions, do all the work. It's when you let it go that you fly.