I want a body of work; I want a good story after a good story.

There's such a grace and understanding in the female persona when women have really come into their own. Part of that is to have children, and to be caring for those children, and not only in the care for them, but also in the nurturing and raising of them, they have to pass on their souls and their intelligence. And all those things can't be taught. It's something that, that in the essence of a woman, the essence of a mother, a mother knows!

I take things very seriously, and I give myself time to come down and to ramp up, and it's an inside spiritual journey for me. I feel like acting is a way of feeling your personality, and it's really special. Special to have this kind of effect on people. You can only have that effect if you're really outside of yourself. You can't look at yourself and do what I do at the same time. I have done it that way in the past, but it doesn't really work. I can only soar within the parameters of time, and I use music analogies.

For me, listening to my breath in between the lines, allows me to be in deep connection to my spirit.

It is the strength of the mother that is going to change the way the world is. It's the compassion, the love, the very open spirited mother and woman that will move us forward in this new century. It's no doubt.

When I listen to my scene partners and listen to their breathing allows me to be connected to them in scenes. I am not trying to multi task, not trying to talk on the phone, but in my character.

I have this vision that I'm really watching each one of my daughters start to become women, and mothers. And this is what's gonna save our planet.