I was hired to do as many Boy Commando, Newsboy Legion, and Sandman stories as I could.

But generally speaking, people weren't fired, art jobs were very hard to get, so something really calamitous had to happen to a person who was working there in order for you to find a space.

I just saw the emotion in everything, so I got to feel everything that was going on and that I was viewing, but I couldn't think in terms of structure, which is the whole point of deep focus.

But I was also a big mouth, I started to develop a troubled relationship with Harry Shorten.

DC used to print up all of their pages, they were the only company that did it.

Comics were going down for the second time and here, all of a sudden, came this thing and for the next fifteen years, romance comics were about the top sellers in the field; they outsold everything.

Precision is not one of the qualities that comes out in my work.