Precision is not one of the qualities that comes out in my work.

But generally speaking, people weren't fired, art jobs were very hard to get, so something really calamitous had to happen to a person who was working there in order for you to find a space.

But I was also a big mouth, I started to develop a troubled relationship with Harry Shorten.

Everything was sensory and I never saw the structure in anything.

If I had one quality that really ruined me and at the same time helped me, it was the fact that I never stopped looking, and by that time I was really working at it.

It was exactly an assembly line. You could look into infinity down these rows of drawing tables.

Coming into the business, you'd pass through these little agencies until you got to understand what was happening in the business, unless you were really able to have a style strong enough to go directly to the publishers.