Precision is not one of the qualities that comes out in my work.

If I had one quality that really ruined me and at the same time helped me, it was the fact that I never stopped looking, and by that time I was really working at it.

In other words, DC was never harmed by the paper shortages.

By the end of the 50s, everything began to collapse and, little by little, I lost all of my work. I lost Rex, the Wonder Dog and all the westerns.

It was exactly an assembly line. You could look into infinity down these rows of drawing tables.

I was hired to do as many Boy Commando, Newsboy Legion, and Sandman stories as I could.

I was not too smart and constantly mouthed off and didn't know anything.