DC used to print up all of their pages, they were the only company that did it.

Precision is not one of the qualities that comes out in my work.

Coming into the business, you'd pass through these little agencies until you got to understand what was happening in the business, unless you were really able to have a style strong enough to go directly to the publishers.

It was exactly an assembly line. You could look into infinity down these rows of drawing tables.

But I was also a big mouth, I started to develop a troubled relationship with Harry Shorten.

I was hired as a penciler.

By the end of the 50s, everything began to collapse and, little by little, I lost all of my work. I lost Rex, the Wonder Dog and all the westerns.