By the end of the 50s, everything began to collapse and, little by little, I lost all of my work. I lost Rex, the Wonder Dog and all the westerns.

Precision is not one of the qualities that comes out in my work.

Everything was sensory and I never saw the structure in anything.

DC used to print up all of their pages, they were the only company that did it.

I think the lack of precision and deep focus is why it took me years to build up my work.

Comics were going down for the second time and here, all of a sudden, came this thing and for the next fifteen years, romance comics were about the top sellers in the field; they outsold everything.

But I was also a big mouth, I started to develop a troubled relationship with Harry Shorten.