Sometimes, from outside, and from America especially, where the racial tension is so intense, you tend to understand Brazil as a kind of ideal situation, but it's not. There are a lot of problems. Historically, we have been in struggle, in real struggle to protect and defend the natural leaning towards absorbing the African and the Indian heritage that our society has.

I think that the global consciousness concerning all those elements that produce tension, fractions of societies, is changing in the sense that we all tend to understand a little more the needs for harmonizing the process and integrating races and cultures and producing multiculturalism and different melting-pot situations. That affects global things, tolerating the Arab, the African, the Eastern civilizations, getting rid of this hegemonic dominance by the West. That's all comprehensive now in terms both of understanding and approaching the whole planet.

Like most artists and musicians, I considered myself detached from the political life. But I had an insight that maybe we would have a political contribution to make in the future.

Sponsors, corporate endowments, and the heritage of the big fortunes would take care of financing cultural projects when American society was homogeneous. Now it's too complex, it's a mix. Different cultures in collision. I think it starts to be necessary to have a government institution to deal with cultural affairs.

Obama wants to stand for a peaceful, generous, encompassing approach that would bring all Americans, but not just Americans, the whole of international society, together to advance civilization towards what we all understand is necessary to advance. Because of that he's being subjected to very serious rejections from the reactionary portion of the system, which, unfortunately, is the dominant portion.

[ on the "tropicalization" of intellectual property laws ] To make the digital world join in the samba.

We should also start taking care of the future, not just the heritage.