It was only when I went to acting school that I was like, "You are absolutely such a pigheaded freak show that you thought you, at the age of 12 or 13, could have a better understanding of Stanislavski. Why did you think that you didn't need to go to school?" It was quite funny. But, I was certainly inspired.

Having a good director is very important. It's crucial. When you do good work with a certain director, you want to work with them again, and hopefully vice versa.

What you try to do, as an actor, is just make it work somehow.

There's this feeling, when you stop believing it's a show and you're there and this is happening.

Until I did my work and I did my utmost best, I feel like I don't have a right to feel excited.

After I've done a good job, then I can get excited. Obviously, it would be very easy to get carried away, but I wanted to own that excitement.

You provide a lot of people with entertainment, and that's what will happen. I don't think you should ever feel like you're used to anything of that nature because you're no different from anyone else.