One of the principal motifs of Nietzsche's work is that Kant had not carried out a true critique because he was not able to pose the problem of critique in terms of values.

D.H. Lawrence had the impression – that psychoanalysis was shutting sexuality up in a bizarre sort of box painted with bourgeois motifs, in a kind of rather repugnant artificial triangle, thereby stifling the whole of sexuality as a production of desire so as to recast it along entirely different lines, making of it a ‘dirty little secret’, a dirty little family secret, a private theater rather than the fantastic factory of nature and production

The technocrat is the natural friend of the dictator—computers and dictatorship; but the revolutionary lives in the gap which separates technical progress from social totality, and inscribed there his dream of permanent revolution. This dream, therefore, is itself action, reality, and an effective menace to all established order; it renders possible what it dreams about.

Bring something incomprehensible into the world!

Evaluations, in essence, are... ways of being, modes of existence of those who judge and evaluate.

Art is not communicative, art is not reflexive. Art, science, philosophy are neither contemplative, neither reflexive, nor communicative. They are creative, that's all.

It's not easy to see things from the middle, rather than looking down on them from above or up at them from below, or from left to right or right to left: try it, you'll see that everything changes.