A lot of my friends are guys, so I'm used to bro antics.

I've thought a lot about how if something horrible happened, and if it were like 'The Road' situation, I've decided I don't want to survive past the death of society as we know it.

I think in theater it demands that you say the same words every night and make it feel fresh and new. Improv demands that you be operating at the highest level of your creativity intelligence. So these two skills are both very important but I've seen people who are very skilled at one area struggle with the other. Either improvisers feel constrained by having to say the same thing over and over again or people who are really good at doing scripted work feel intimidated and exposed doing improvisation.

They didn't really encourage my goofy, comedic side at Juilliard.

I would say 99 percent of the time, you're probably attracted to the other person because it is repairing something that's a little broken in yourself. When you're getting into the relationship, whether that becomes an impediment or the rocket fuel, that's the choice of the person who's in it.

I say the word N-U-C-L-E-R the same way that George W. Bush says it.

My inners are not organs. They're actually mechanics, so I have a hole in my back, wind me up like the movie 'Hugo,' and then just say, 'Act,' you know?