There is a great degree of comfort with your family when you're on a TV show.

I try to not go over things from the past. Learn your lessons and then let it go.

The nice thing about a documentary, I think, is that so much of it is editing, too. You sort of get to keep making decisions. It's not as much like when you do a narrative, fictional piece, and you have a certain number of shooting days, and you're like, "Well, that's what it is." You can continue to seek out more photographs or try to find more footage. The genre gives you the ability to keep working on it, which is great for a first-time director.

I don't think I've ever been mistaken for anyone.

You've got to get as literal as you can get to convince people sometimes that you can do something.

I have a hard time watching people getting punched on screen; I have to close my eyes a lot.

I've always wanted to work with Elizabeth Banks. She's so talented and funny, and she's become this force of nature - directing, producing. Being around her is kind of inspiring.