I've been in a lot of indie movies, where we didn't necessarily have permits or permission. I've even run from the cops in the New York City subways!

I say the word N-U-C-L-E-R the same way that George W. Bush says it.

I feel like I go through cycles as an actress.

The nice thing about a documentary, I think, is that so much of it is editing, too. You sort of get to keep making decisions. It's not as much like when you do a narrative, fictional piece, and you have a certain number of shooting days, and you're like, "Well, that's what it is." You can continue to seek out more photographs or try to find more footage. The genre gives you the ability to keep working on it, which is great for a first-time director.

A friend of mine wrote a script, a feminist romantic comedy. She had a feminist scholar consult on it. My friend said, "Oh, my friend Gillian read it and really loved it." She goes, "Gillian Jacobs, you mean: Britta Perry, feminist icon?"

I would say 99 percent of the time, you're probably attracted to the other person because it is repairing something that's a little broken in yourself. When you're getting into the relationship, whether that becomes an impediment or the rocket fuel, that's the choice of the person who's in it.

I want there to be tons and tons and tons and tons of movies starring women.