My poor, problematic feet don't let me wear anything much over a three- or four-inch heel.

You can only do so many serious dramas in a row before you want to break. You want a change.

I think in theater it demands that you say the same words every night and make it feel fresh and new. Improv demands that you be operating at the highest level of your creativity intelligence. So these two skills are both very important but I've seen people who are very skilled at one area struggle with the other. Either improvisers feel constrained by having to say the same thing over and over again or people who are really good at doing scripted work feel intimidated and exposed doing improvisation.

I think when you have some success as a kid, your notion of being a good actor is pleasing the director, doing exactly what they tell you to do.

I used to live in New York, and I have friends that work in the fashion world, and I feel like I had an ear to the ground there.

In Los Angeles, sometimes it's hard to find a magazine stand, let alone one that has the magazine that you want. So I find that the longer I live in L.A., the more digitally I consume.

A movie that I've seen probably the most is 'Fanny Alexander,' the Ingmar Bergman movie. I even dragged my friends to the super long version that had an intermission. I don't know how much they liked me that day.