NBC gives comedies a chance to find their legs.

I love Opening Ceremony, Kenzo - anything Humberto Leon and Carol Lim touch. I drool over Christopher Kane, Mary Katrantzou, Delpozo, and Wes Gordon.

Your agents and your managers will always say stuff to you like, "It's really important to make a good first impression on a casting director. And even though you didn't get that job, because you did well that means they'll keep bringing you back in." But when you really just need a job to pay your rent, that stops being very consoling.

I think in theater it demands that you say the same words every night and make it feel fresh and new. Improv demands that you be operating at the highest level of your creativity intelligence. So these two skills are both very important but I've seen people who are very skilled at one area struggle with the other. Either improvisers feel constrained by having to say the same thing over and over again or people who are really good at doing scripted work feel intimidated and exposed doing improvisation.

It's really nice when life comes full circle and you get to work with people four years down the line.

I've been in a lot of indie movies, where we didn't necessarily have permits or permission. I've even run from the cops in the New York City subways!

Ken Jeong might be my biggest fan.