There's a world of troubleTrying to take its turn I can hear it shaking undergroundAnd half a dozen lessons I might never learn Not until them troubles come around.

I've never been the kind of person who would get up and wave my arms and scream and shout and say, 'Hey, listen to this, listen to this.

Each person comes to have this musical experience, this moment with us, where they get to sink into our world for a little while. It’s this very unhurried world. It’s fairly quiet, it’s contemplative, but it can be quite panoramic. I think people think interesting thoughts at our shows, and they go rather deeply into some personal experience of their own. I’m really proud that our music seems to connect, because it’s not for everybody. But for the people that our music works for, it really gets down pretty deep in there.

There's a world of troubleTrying to take its turn I can hear it shaking undergroundAnd half a dozen lessons I might never learn Not until them troubles come around.

I love that there's this tradition of being able to discuss the heaviest topics and the gnarliest stuff that goes down in people's lives in traditional Southern American music.

The main thing was finding this... voice that I had interest in, which I'll call the quiet-yet-stoic voice: the very quiet yet very strong voice that I developed, that people would want to hear and that was worth paying attention to.

You know, it's a pretty mysterious thing still, why you start the songs you start, and the specific flavor of them, the nature of them. I don't know about other writers, but, for me, it's still somewhat out of my control. It's not really a logical process.