I do think that the abiding mystery of my origins has definitely had a profound effect upon my writing. There is that thing in the back of my mind where I think I don't really know who I am. And it may make it a little easier to shift around in my narrative voice.

There's a world of troubleTrying to take its turn I can hear it shaking undergroundAnd half a dozen lessons I might never learn Not until them troubles come around.

Each person comes to have this musical experience, this moment with us, where they get to sink into our world for a little while. It’s this very unhurried world. It’s fairly quiet, it’s contemplative, but it can be quite panoramic. I think people think interesting thoughts at our shows, and they go rather deeply into some personal experience of their own. I’m really proud that our music seems to connect, because it’s not for everybody. But for the people that our music works for, it really gets down pretty deep in there.

I've never been the kind of person who would get up and wave my arms and scream and shout and say, 'Hey, listen to this, listen to this.

I like the songs to appear very simple and to flow by without any kind of hiccup, but there has to be this impression of other currents underneath. Like if the songs aren't, on some level, multidimensional, we lose interest in them.

Some girls are bright as the morning / And some girls are blessed with a dark turn of mind.

I love that there's this tradition of being able to discuss the heaviest topics and the gnarliest stuff that goes down in people's lives in traditional Southern American music.