I won't go to movies with permissiveness, four-letter words, or violence. Show me 'E.T.' and 'Chariots of Fire' instead. That's entertainment, not exploitation of the human body.

During my seven-year contract with RKO, there were seven different studio presidents, from David O. Selznick to Charles W. Koerner. You literally had to check the name on the door so as not to call the new boss by the former boss's name.

'Flying Down to Rio' established RKO as a leader in musical film production throughout the 1930s. The film helped to rescue the studio from its financial straits and it gave a real boost to my movie career.

My mother was a journalist, so writing is not unnatural to me.

My faith in humanity leads me to believe that people are looking for something more elevating than the sordid details of the intimate aspects of one's personal life.

I had been making films for almost ten years, and the head men at RKO thought of me only in terms of musicals. I found no fault with that, except I just couldn't stand being typed or pigeonholed as only a singing and dancing girl. I wanted to extend my range.

There's a verse in the Bible: 'Those who are barren have more children than those who give birth.' There are young people all over the world who come to me for advice and love. I have all the children I can handle.