If I had to choose criteria, for me, it's about first the director. I want to be a part of something that's good and intellectually challenging. After the director it's the character and the story. That's the deal for me.

I'm old fashioned with my cell phone. I like that human contact and I think it's important.

If you do improvising, it can sometimes end up being a waste of time. And if you do that, it's more or less based on a writing process.

You have to take into account it was the cell phone that became what the modern-day concept of a phone call is, and this is a device that's attached to your hip 24/7. Before that there was 'leave a message' and before that there was 'hopefully you're home.'

I just consider myself a committed actor. If a movie is a success, that's great; I'm happy for that. But I've learned just to concentrate on my job and do the best that I can.

I don't think that many people today, understand the nature of what an improv does for an actor in a specific setting. What an improv does for an actor is help him find the life; it's the life that an actor's after.

Without Scientology, I would be in an alley somewhere looking for dope.