I can't edit live as meticulously as I can for an album.

When people come to my shows they know there is a distinct beginning and end. It's difficult for me to play for much more than an hour, so people kind of come out and treat it like a rock show. They're fiending and ready to dance.

I've been dedicating my life to doing remixes and sample based music. Whether you're into it or not I'm going to continue to pump it out.

When I would play pop music at underground shows, it was offensive to some people. I wasn't doing it to piss people off: I just didn't believe in those strong divisions that you're supposed to listen to this or that.

People see me on stage and sometimes they think, "Who's this hotdog thinking that he's the best." They miss the point that what I'm doing now comes from a whole different world of doing it for no one with nobody caring.

The point has always been to make music, it's not like I've always been running a giant money making scheme.

The goal of the work is always for it to come across as original material, as transformative material.