What happens to us all, I think, when we pick up a pen, is that we just become snobs.

I think it's very interesting, people who can't stand people who whinge and whine. It seems almost like a class issue. Because you think about who is the most positive, who's the most redemptive songwriter that's ever existed in your lifetime?

Sometimes travelling really intensely for a long time is like having a continuous nervous breakdown.

There are people who can sit down and write a song about any given subject, and they can do it really, really well.

There's this unspoken thing that you have to wear a tux and some kind of nice dress. There are all these ethical rules, but I'm sure if you came to the Oscars in ripped jeans and a t-shirt they wouldn't throw you out. You would just look like a fool.

You know, albums are a funny thing. They're not like an intellectual decision. It's a collection of your kind of musings. Like it's a collection of your diary entries and you pick which one's gonna make the most sense together and you put out a record and you sort of live it.

Sadness is a very interesting idea, this idea of sadness being some kind of default setting that artists will go into. And then I started thinking about this idea of sadness and happiness, and the idea that sadness is very loud, and happiness is quiet.