a really good play is ambiguous - which is exactly why it endures. Every succeeding generation develops theories about it. The play's words provide very little clue. On the contrary, words are notoriously imprecise and open to every kind of interpretation, so you must search.

[On being asked, 'Did you ever say that an actress needs to be able to laugh and to cry and that when you need to laugh you think of your sex life and when you need to cry you think of your sex life?':] No.

it is extraordinary how much you are theirs, and how little they are yours. The child grows inside you and there is something mystical and mythical in that, but then you actually see that you are nothing more than the box in which they come. There is this total person, already formed, themselves.

You'd think is something one would grow out of. But you grow into it. The more you do, the more you realize how painfully easy it is to be lousy and how very difficult to be good.

a really good play is ambiguous - which is exactly why it endures. Every succeeding generation develops theories about it. The play's words provide very little clue. On the contrary, words are notoriously imprecise and open to every kind of interpretation, so you must search.

To have something which one particularly wants to do is more important than anything else. It is even more important than succeeding in that thing you want to do. In fact it does not matter if you fail, but it does matter that you do or do not want to do something.

I'm the world's worst bearer of grudges. I'm sure I'll be bearing grudges and paying off old scores on my death-bed.