So you have the challenge of just learning the lines, period, and not only learning them, but learning them to the extent that you assimilate them, so that you're not worried about what the next word is coming out of your mouth when it comes to doing a scene. And you're also in the trenches with the writers, just in the wonderful kind of back and forth of how is it best to say something, even if it involves four or five words. I love that kind of thing.

I'm not a natural ocean person. I married into a family of swimmers, and I've slowly been drawn into the sea.

When they tested Fatal Attraction, the audiences were so upset by her behavior, they literally demanded her blood.

It puts you in a kind of a strange situation where everybody is looking at every little thing you do.

I knew the term Stepford Wife, and I knew what that meant. I never read the book, and I think before I started filming I watched the movie. I thought it was very dated.

I also have always felt that television has a huge potential for the kinds of audiences that some films would never dream or ever be able to have. So that potential is very exciting to me.

I had a dresser who literally squeezed me in like Scarlett O'Hara in Gone With The Wind.