So you have the challenge of just learning the lines, period, and not only learning them, but learning them to the extent that you assimilate them, so that you're not worried about what the next word is coming out of your mouth when it comes to doing a scene. And you're also in the trenches with the writers, just in the wonderful kind of back and forth of how is it best to say something, even if it involves four or five words. I love that kind of thing.

I really hope it engenders a lot of conversation because I believe there are a lot of people who put on faces. We all do it, every time we walk out the door. And there are a lot of people who have to hide who they are. And I think this story speaks to that.

I had a dresser who literally squeezed me in like Scarlett O'Hara in Gone With The Wind.

I really think that effective acting has to do literally with the movement of molecules.

There are a lot of big spec houses now all across Connecticut, a lot of ostentatious showing of wealth.

Bunny boiler is now part of our language, and I'm proud of that.

I knew the term Stepford Wife, and I knew what that meant. I never read the book, and I think before I started filming I watched the movie. I thought it was very dated.