I would say that to listen is to become aware. To become truly informed. You will discover whatever you do.

The most sensitive frequencies are at the resonant frequencies of the auditory canal. In other words, the ear has shaped itself to naturally amplify certain bandwidth. And that corresponds to sounds in that bandwidth that were most important to our evolving ancestors to hear, in order to survive. And it doesn't match the human voice. It matches birdsong.

How are we going to know what sounds are important before we've even heard those sounds? It's an absurd question. The only thing we can say is that we're going to base it on our past experience. In other words, modern listening doesn't inform us of anything new. It simply keeps us in the past.

Healthy areas that are richest in information are those areas in the wild where we can get all the information that's available to us within our human hearing range. The most valuable information throughout human evolution has been faint sounds. We tend to think in our modern world that if it's loud, if it grabs our attention, it's important. We get a lot of that in advertising. But in nature, it's the faintest sound that's important; it has determined, in the past of our ancestors, perhaps, if they will live or die. Faint sounds are the earliest clues of newly arriving information.

Whenever you're in a natural system and you're making sound, you are putting yourself at risk. As you go up the evolutionary ladder, from insects to frogs to birds and on up into mammals, the higher intelligence recognizes that when you vocalize, you put yourself at risk. So mammals generally vocalize or make noise much more rarely than, let's say, insects or frogs. And when they do, and put themselves at risk, it has to be worth the risk, and have true meaning, such as signaling during a hunting party, calling in prey, some religious or spiritual ceremony, something like that.

If you're going to listen, you have to be willing to be changed by what you've heard. My life has gone through so many changes. I'm sixty-two years old right now, and I'm as busy changing now as I was when I was a teenager, or in my twenties. Every day is different. Every day brings new information.

I work in the same style as classic landscape photographers. You find the right perspective, and then you wait until the light is right. I do the same. I find the right location, and then I wait for the sound, the atmosphere to be right, and for the space to be revealed.