I wasn't trying to be different; I just did what I liked. Don't misunderstand when I say I really had no particular DP I was aspiring to be. I really fell in love with the movies as I was growing up, and I must say, I was emulating things that I saw others doing, that’s how you learn, but you soon have to push past that, and do things that you feel are right… or better.

Don't get simple mixed up with simplistic.

A huge problem in movies or with people who work on movies is that two people can look at the same thing but they don't necessarily see the same thing.

I hate when somebody says, "This may not work." You'll never get anywhere with that. I've pushed a lot of people out of my way - I don't mean physically - over them being afraid something isn't going to work.

Grips and electricians have done more to help me shoot good movies than any other craft.

The lack of perfection, that's the hardest quality of all, because you're fighting your instincts. You're trained to want to do things perfectly.

Good films are not made by accident, nor is good photography. You can have good things happen, on occasion, by accident that can be applied at that moment in a film, but your craft isn't structured around such things, except in beer commercials.