Grips and electricians have done more to help me shoot good movies than any other craft.

A cinematographer is a visual psychiatrist, moving an audience... making them think the way you want them to think, painting pictures in the dark.

If you take a sophisticated idea, reduce it to the simplest possible terms so that it’s accessible to everybody, and don’t get simple mixed up with simplistic, it’s how you mount and present something that makes it engaging.

I'm a great believer in relativity when making movies. Relativity, in my mind, meaning "Light to dark, big to small, good to bad." You visually embrace these things to enhance transitions and instantly paint environments and moods.

I wasn't trying to be different; I just did what I liked. Don't misunderstand when I say I really had no particular DP I was aspiring to be. I really fell in love with the movies as I was growing up, and I must say, I was emulating things that I saw others doing, that’s how you learn, but you soon have to push past that, and do things that you feel are right… or better.

The thing about film is that your eye is selective. Film isn't. You have to make film do what you want. Simply photographing something doesn't do it. You have to know how to apply light and know what it does on film.

A huge problem in movies or with people who work on movies is that two people can look at the same thing but they don't necessarily see the same thing.