I don't believe in doing thousands of cuts, then giving it to the editor to make the movie. 'Dump-truck directing' is my reference to that style of moviemaking. You have to know how to cut before you can shoot well. The lack of definition in movies today is appalling. Very few people know how to mount a narrative anymore. If a scene works in one cut, you don't need 10. Or it might need 10. Let's not make it 20.

I'm a minimalist. I see things in simple ways...It's human nature to define complexity as better. Well, it's not.

Complexity is not good. People don't understand the elegance of simplicity.

The thing about film is that your eye is selective. Film isn't. You have to make film do what you want. Simply photographing something doesn't do it. You have to know how to apply light and know what it does on film.

The lack of perfection, that's the hardest quality of all, because you're fighting your instincts. You're trained to want to do things perfectly.

There are a lot of cameramen but not so many photographers. And a lot of cameramen attack from a technical approach without much imagination. They look, but they don't see.

Grips and electricians have done more to help me shoot good movies than any other craft.