I never reread a text until I have finished the first draft. Otherwise it's too discouraging.

There is hardly an American male of my generation who has not at one time or another tried to master the victory cry of the great ape as it issued from the androgynous chest of Johnny Weissmuller, to the accompaniment of thousands of arms and legs snapping during attempts to swing from tree to tree in the backyards of the Republic.

Memory is strange. Scientifically, it is not a mechanical means of repeating something. I can think a thousand times about when I broke my leg at the age of ten, but it is never the same thing which comes to mind when I think about it. My memory of this event has never been, in reality, anything except the memory of my last memory of that event. This is why I use the image of a palimpsest - something written over something partially erased - that is what memory is for me. It's not a film you play back in exactly the same way. It's like theater, with characters who appear from time to time.

...I'm no longer the scales most lovers are, weighing the deeds and gifts and treasures proffered against those received or stolen from the other, trying always to bring into fatal balance two separate things.

World events are the work of individuals whose motives are often frivolous, even casual.

I am savage about what has been done to the United States by its rulers.

I Must warn you, Iris, that I'm not a believer. And though I'm sure that the revelations of other men must be a source of infinite satisfaction to them, individually, I shouldn't for one second be so presumptuous as to make a choice among the many thousands of recorded revelations of truth, accepting one at the expense of all the others: I might so easily choose wrong and get into eternal trouble. And you must admit that the selection is wide, and dangerous to the amateur.