Through the music I hope to give it an arc that gives it a greater sense of a journey through the set rather than a bunch of songs.

A big part of making music is the discovery aspect, is the surprise aspect. That's why I think I'll always love sampling. Because it involves combining the music fandom: collecting, searching, discovering music history, and artifacts of recording that you may not have known existed and you just kind of unlock parts of your brain, you know?

I could quite happily just make music because it conjures up a whole visual world for me in my mind.

I'm open to whatever. I think sometimes when people collaborate these days, it's a little bit convenient.

What makes me vulnerable? Well, my ego, probably. I kind of like to try to let go of it. Or feeling out of my depth. In various aspects of my life, whether it's musical or personal.

All the records I've put out have had either artwork that I did while I was young or something that my Dad painted.

I've been very lucky to work with many amazing animators and directors who can interpret and extend the music I make. When it's done well, it can create extra meaning and new context for the song.