I see myself as no color. I can play the role of a man. I can paint my face white if I want to and play the role of white. I can play a green, I can be a purple. I think I have that kind of frame and that kind of attitude where I can play an animal. If you think in color, then everyone around you is going to think in color and that puts limits on the way you think. I don't think like that. A lot of the roles that I'm doing are roles that a man or a person of any color can do.

I was the only black girl at my junior high school. I had an afro, a Jamaican accent, I looked really old.

When I started modelling, I'd raise my arms and it was all muscle and all the other models had nothing. Really, everybody thought I was a man. I don't have to do much to have muscles. It's just genetic.

I've lived long enough to feel the sway of corporations both legal and illegal. Corporations give you drugs and they prescribe and prescribe them and they can be worse for you. Whereas you have illegal drugs and that is all about moderation. You have to know your body.

I loved all those classic figures from the '30s and '40s... Bette Davis, Joan Crawford, Humphrey Bogart, Rita Hayworth. They had such glamour and style. I loved the movies of those times too - so much attention paid to details, lights, clothing, the way the studios would develop talent.

When you start in that [model] business the rules are imposed upon you, but when you stay in the business long enough the rules could be broken.

When I was modelling, I spent half my life staring at thousands of perfect reflections. It got to a stage where I was losing all sense of reality - so after I quit modelling, I took all the mirrors out of my house.