When I was between the ages of five and nine, the soldiers of the Second World War wanted to have Betty Grable, but I wanted to be Betty Grable. She was the epitome of an alluring woman; she had it all as far as I was concerned.

In school, I learned about artists and how they were free to express themselves. I was allergic to conformity, and the lifestyle attracted me. I wanted to express myself in a way that slammed people up against the wall.

It's none of the governments business who comes to, in, on, or from my body.

I don't miss anything about the 1960s, not really. I did it. It's like asking, 'Do you miss the fourth grade?' I loved the fourth grade when I was in it, but I don't want to do it again.

If you don't own the stage, you shouldn't be in rock n' roll.

Ideal government would be a very boring job - it would be a matter of organizing a lot of utilities and keeping the wires together and the power plant and all that kind of stuff. It's not a matter of telling people how to live, it's a matter of making it pleasant for them to live. Government should be in the position of distributing food, stuff like that.

The way I paint is similar to rock in that you don't stand around and say, 'Gee, what are they talking about?' Rock is simple, blunt, colorful. Same with my paintings. You don't stand back and wonder what it is. That's Jim Morrison, that's a panda, that's a scene on the West Coast. It's not abstract.