The way I paint is similar to rock in that you don't stand around and say, 'Gee, what are they talking about?' Rock is simple, blunt, colorful. Same with my paintings. You don't stand back and wonder what it is. That's Jim Morrison, that's a panda, that's a scene on the West Coast. It's not abstract.

Jerry Garcia used to take his paints on the road. I don't do that. Either I'm a singer or a painter. I'm not good at multi-tasking.

Some of the most interesting and happiest kids I've seen have lived with a lot of different adults, because a kid can go up to one guy and wear him out. And as soon as the adult gets tired, there are five other guys, or five other chicks to go and wear out, and the kid gets to be very bright - and tolerant, you know, with that many kinds of people around.

'Feminist comedy,' practically an oxymoron, had a couple of good years after WWII. Chalk it up to the forced female autonomy that occurred during wartime, when Rosie the Riveter went to work in the factories, constructing the Allies' war machines while taking charge of the finances, the home, and the children.

You either evolve or you don't. I don't like old people on a rock n' roll stage. I think they look pathetic, me included. And the fact that I represent an era means I can't just go out there and do all new stuff. They would all say, 'Sing 'White Rabbit,'' and I'd say no? That's rude.

I think of myself as a positive agnostic. I don't know, therefore I'm open. I don't know, therefore I'm interested.

I don't want to see old people doing rap or rock and roll. It makes me cringe.