A photographer without imagination is not a good photographer.

The unconscious obsession that we photographers have is that wherever we go we want to find the theme that we carry inside ourselves.

I do not understand what makes me take a picture. Cartier-Bresson talks about the decisive moment, the necessity to function with lynx eyes and silk gloves. Perhaps what happens when you press the shutter is an intuitive act infused with all you have learned.

In a way my work is documentary. But I am also a photographer who has a distinct style. My photographs are a companion to the reality of the situation.

I don't pretend to make my photographs speak the truth of what Mexico is all about. But in its villages I can feel the way culture is changing, and it's fascinating to live through it and try to capture it on camera.

If you are a writer and you are in Rome you will have a specific connection to it, then perhaps you will go to Sweden and you will have a different connection and it will be a very different experience.

What the eye sees is a synthesis of who you are and all you have learned. This is what I would call the language of photography.