I do not understand what makes me take a picture. Cartier-Bresson talks about the decisive moment, the necessity to function with lynx eyes and silk gloves. Perhaps what happens when you press the shutter is an intuitive act infused with all you have learned.

I don't pretend to make my photographs speak the truth of what Mexico is all about. But in its villages I can feel the way culture is changing, and it's fascinating to live through it and try to capture it on camera.

My intention, certainly, is to create something which is aesthetic but many things are implicit in the work that I do. For me photography is writing, it is history; it can be aesthetic, it can be many things though it does not have to be art.

When I'm taking pictures I even forget that I have a camera. When I shoot I forget about everything. Light comes, death comes, people go in and out in costume - and it's like a play.

As an artist you need to move on, you need to try new things.

In a way my work is documentary. But I am also a photographer who has a distinct style. My photographs are a companion to the reality of the situation.

The unconscious obsession that we photographers have is that wherever we go we want to find the theme that we carry inside ourselves.